Letters
I hate N’Sync

To begin with, lets get something straight – P. Ramlee should not have wallowed in poverty or died penniless. However, the Ampas Man seems to have forgotten that such tragedies are still happening everyday to famous artists all around the world. The author seems to have conveniently forgotten that P. Ramlee signed contracts with Shaw Brothers who produced his films and any royalty from his body of work would have been subjected to the original terms. Recording companies own the right for most of his songs, and till this day, that’s how the way music royalties work. Isaac Hayes, Goo Goo Dolls, TLC, Toni Braxton, Jerry Lee Lewis, Marvin Gaye, Run DMC are but some notable examples of multiplatinum artists who have declared bankruptcy or was in financial trouble.

The great composer Wolfgang Amadeus Mozart died penniless and left beind a huge debt too.

Some may have rightly noted that the fortunes of our stars (and their profligacy, where applicable) should not be guaranteed by the government, especially since it is also your money as well (if you are a tax payer like myself). However, to insinuate that P. Ramlee made a wrong move to leave Singapore and blame all his subsequent box office failures on the Malaysian government (and the lack of local expertise and “talent”) speak volumes of the author’s lack of knowledge, understanding and misguided imagination about the history of modern cinema in Malaysia. The Ampas Man must have forgotten how the Malay cinema, or cinema in the Malayan region operated at that time. Read the rest of this entry »

Letters
by The Ampas Man

Question: Di Mana Kan Ku Cari Ganti?

Answer: Not in Malaysia

Those who watched the heart-wrenching P. Ramlee documentary on the History Channel on 31st October 2010 must have gone to bed with a heavy heart. It transpires that Malaysia’s one and only film icon had died penniless and shunned by the public including his own colleagues. And the way it was done appears to have uncanny resemblances to what’s happening today in Malaysia, almost 45 years after Ramlee returned to Malaysia.

The documentary, narrated by British actor, Timothy Watson and 12 years in-the-making included precious interviews by some of his friends, actors and actresses who had passed on. The underlying tone was one of profound melancholy.

Ramlee, born out of poverty along Caunter Hall Road at an Achenese community in Penang , had to endure a brutal Japanese occupation whose schools incidentally inculcated a certain discipline in him. In his formative years then, this discipline proved crucial as a founding platform for his eventual brilliance, creativity and innovation in film and music.

He subsequently gained phenomenal success at Shaw Brother’s Jalan Ampas studios in Singapore. His success at Jalan Ampas was the apparent result of the studio’s incredible milieu of experienced film crew, choreographers and directors which the Shaw Brothers had assembled from India, Hong Kong and Indonesia. With the load of management and finance off his shoulders, Ramlee was able to thrive and focus on his talent of creating music, acting and eventually direction, screenplay and editing. Read the rest of this entry »