By Farish A. Noor

In his book ‘Torture and Modernity: Self, Society and State in Modern Iran’ (1994), the scholar Darius Rejali looks at how the processes of torture and punishment have evolved over the centuries in Iran, from the period of the Qajar dynasty all the way to the regime of the Shah and the Islamic Revolutionary government. He makes one interesting and important observation which remains relevant to all of those who are concerned about the use of corporal punishment and torture by modern states today: that corporal punishment dates back to the medieval era where the popular perception of punishment was that it was a public spectacle that ought to be enacted upon the body of the individual, and not the subject him/herself.

In this respect, the modes of torture and punishment that were used in pre-modern Iran were no different from the modes of punishment that were used in China, India, Africa or Europe. Throughout the world during the pre-modern era the popular understanding of punishment was that it was meant to be a form of public humiliation, operating through the mode of public violence, that was intended to compel the guilty to repent and alter his/her ways through the threat of violence and force. Hence we see how in medieval Europe, Asia and the Arab world the modes of public punishment were all equally gory and bloody: Heads were chopped off, bodies were impaled, whipped, burned, branded, broken, quartered and sliced to pieces. Most of these punishments were carried out in public, ostensibly as a ‘lesson’ to others. But as many modern psychologists have pointed out, these public spectacles of violence also served the voyeuristic inclination of those who relished the sight of bodies being violated in public, and were thus also forms of bizarre public pornography.
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